The
Halo-Halo Review is pleased to interview authors in the aftermath of a
book’s release. This issue’s featured writers include Barbara Jane Reyes:
(Photo by Peter Dressel)
What
is your most recent book?
To Love as Aswang (Philippine American Writers and Artists, Inc., 2015).
When
was it released?
October 2015.
What
has been the response (to date)?
From the literary establishment, humble, barely a
whisper. I am not surprised; PAWA, Inc. is such a tiny and specialized
(ethnic-specific) press, that folks in the industry barely register it as
existent. Because mostly local and California-based Pinay educators have
adopted this text for their university courses, the response from these San
Francisco and West Coast based, Filipino American and POC college students has
been revelatory, emotional, empowering. You see these young POC and immigrants
who have been so alienated from/by High Literature and capital-P Poetry, you
see their eyes open, you see them start to “get it,” you see them so
appreciative of writing they call hella real.
What
has surprised you about the response?
That students of color with little investment in
literary culture come away from the text empowered as readers and POC. I don't
know if this is surprising, but it is amazing.
Tell
us something not obvious or known about the book.
Um, a lot of people have thought there would be
literal aswangs and monsters in this book. I think the monsters are not the
ones they expect.
What
are you working on now?
Two things:
1. Invocation to
Daughters. This is my next book, forthcoming from City Lights Publishing.
The writing is complete, but in 2017, we shall see if/how the editorial process
changes things. It started as the logical continuation of To Love as Aswang, Pinay-centered, confronting patriarchy. In the
process of writing, my father became ill and passed away, and so the “father”
in the patriarchy became less and less abstract, and my speaker grew in
dimension and complexity. This may be the first time I’ve actually written
autobiographical poems about my own father, and about my own personal
experiences as a daughter.
2. My current manuscript is called some brown girl. This one started out as
a series of found poems, taking from cosmetics and beauty advertisements,
telling us in no uncertain terms how inadequate we are as women, how little
beauty we possess if we don’t abide by/conform to the impossible standards
pressed upon us. As I have found my groove teaching Pinay Lit at USF, and as
the political climate has changed, I started to find my own cleverness and this
tone of admonishment less of a priority, and so I have started writing poems
addressing the Pinays who have asked me or want to ask me about decolonization,
about writing and living and speaking my mind.
*****
Barbara Jane Reyes is the author of To Love as Aswang (Philippine American
Writers and Artists, Inc., 2015). She was born in Manila, Philippines, raised
in the San Francisco Bay Area, and is the author of three previous collections
of poetry, Gravities of Center
(Arkipelago Books, 2003), Poeta en San
Francisco (Tinfish Press, 2005), which received the James Laughlin Award of
the Academy of American Poets, and Diwata
(BOA Editions, Ltd., 2010), which received the Global Filipino Literary Award
for Poetry. She is also the author of the chapbooks Easter Sunday (Ypolita Press, 2008), Cherry (Portable Press at Yo-Yo Labs, 2008), and For the City that Nearly Broke Me
(Aztlán Libre Press, 2012). She is an adjunct professor in the Yuchengco
Philippine Studies Program at University of San Francisco.
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